A five-person submersible vessel taking tourists on a $250,000 trip to see the wreckage of the 1912 Titanic

A wildfire has triggered a series of massive explosions at an air force ammunition depot in central Greece. The depot was evacuated before the explosions, which shattered windows in the surrounding area. No injuries were reported, although continued blasts prevented firefighting teams from approaching the site. Greek state broadcaster ERT said the facility is in the coastal town of Nea Aghialos near the Volos area. The fire reached the ammunition storage facility about four miles north of the major military air base in Nea Anchialos. Local media reported that bombs and ammunition for Greek F-16 fighters were stored at the site The fighter jets are reportedly being moved from the air base. Fire Service spokesman Ioannis Artopios said 12 villages were ordered to be evacuated in the Volos-Nea Anchialos area. He said the blaze was the most dangerous of the 124 wildfires the fire service had to deal with on Thursday. Deadly wildfires on Greece’s mainland have killed two as wildfires spread in Europe and north Africa including Greece, Portugal, Turkey, Italy, France, Croatia, Spain, Algeria and Tunisia. Read More World is entering ‘era of global boiling’, UN warns as July is the hottest month on record Wildfires in Portugal: Is it safe to travel to Lisbon and Cascais right now? Rhodes holidaymaker: Tui rep urged my family to ignore evacuation order Travel insurance company apologises for telling customers they would not be covered for Greece holidays July has been so blistering hot, scientists already calculate that it's the warmest month on record

South Carolina Sen. Tim Scott’s presidential campaign says the Republican is shifting staff and money from New Hampshire to Iowa in an effort to boost his standing in the leadoff caucus state with less than three months until the first votes of the 2024 election are cast

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The Environmental Protection Agency spent more than a year investigating whether Louisiana's oversight of industrial air emissions discriminated against Black residents

The newly leveled case against former President Donald Trump and his co-defendants accusing them of engaging in a conspiracy to overturn the results of the 2020 presidential election in Georgia has been assigned to a judge who is a lifelong Georgian.

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By Steve Gorman LOS ANGELES Kaiser Permanente and the union representing healthcare workers resumed negotiations on Thursday, more

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Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

British holidaymakers are trading longer beach vacations for shorter city breaks this summer to save money as they