By Jacqueline Thomsen Here is a timeline of events that led to charges against former U.S. President Donald

President Joe Biden is spending part of his 81st birthday observing the White House tradition of pardoning Thanksgiving turkeys

The Ohio Redistricting Commission has adopted new Republican-drawn Statehouse maps for public discussion

An International Atomic Energy Agency team has arrived in Tokyo for a final review before Japan begins releasing massive amounts of treated radioactive water into the sea from the wrecked Fukushima nuclear plant, a plan that has been strongly opposed by local fishing communities and neighboring countries

In September, the award-winning author and academic Ibram X

On the campaign trail, Florida Gov. Ron DeSantis has attacked Donald Trump's signature prison reform bill, calling it a "jailbreak bill" and claiming it "allowed dangerous people out of prison who have now reoffended and really, really hurt a number of people."

The extreme heat in the northern hemisphere is putting an increasing strain on healthcare systems, hitting those least able to cope the hardest, the...

Ukrainian officials have blamed Russia for air strikes near the country's border with Poland.

Paintings aren’t always what they seem on the surface, as one team of restorers proved recently in surprising circumstances. In fact, many famous artworks feature layers and layers of paint as artists worked and re-worked their compositions in search of perfection. Now, a piece of art has been restored 230 years after it was first painted to reveal a spooky, hidden demonic figure hiding in the background. The painting in question is the 1789 work by English artist Joshua Reynolds titled ‘The Death of Cardinal Beaufort’. It’s been restored by the National Trust, and the work the team have done has revealed a very unusual new feature. The painting features a scene from the Shakespeare play Henry VI, Part 2. Henry says “O! beat away the busy meddling fiend” in the scene, as he begs for a merciful death for Cardinal Beaufort. At the time, Reynolds painted a demon in the background of the painting to reference the “busy meddling fiend” referenced in the dialogue. However, the painting wasn’t well received at the time and that was at least partly due to the depiction of the demon in the background. Three years after it was painted, people attempted to cover up the demon but left a blur on the canvas. Now, the cover up job has been removed and the painting presents as the artist originally intended to mark what would have been Reynolds’ 300th birthday. It wasn’t the easiest of tasks, with several layers of paint and six layers of varnish to uncover. The National Trust’s senior national curator for pictures and sculpture, John Chu, said: “It didn’t fit in with some of the artistic rules of the times to have a poetic figure of speech represented so literally in this monstrous figure. “When it was first shown at the Shakespeare Gallery in 1789 it generated more controversy than any other work on show.” Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

By David Shepardson WASHINGTON The U.S. Commerce Department said on Wednesday that more than 460 companies have expressed

By Anirudh Saligrama United Airlines plans to make changes in flight operations to avoid weather-related disruptions ahead of

The French government has decided to dissolve a climate activist group, following a series of fiery clashes between demonstrators and police.