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The families of two Idaho murders victims have called for cameras to document the trial of suspect Bryan Kohberger. The families of Kayle Goncalves, 21, and Xana Kernodle, 20, broke from prosecutors and called for Mr Kohberger’s trial to be “open to the public to view and watch”. Mr Kohberger is facing the death penalty over the brutal murders of Goncalves, Kernodle and two other University of Idaho students. He is accused of breaking into an off-campus student home on King Road, Moscow, and stabbing Goncalves, Kernodle, Madison Mogen and Ethan Chapin to death with a large, military-style knife in November 2022. It comes after Mr Kohberger filed a motion on 24 August asking the judge to toss cameras from the courtroom. In the defence motion, his attorney Anne Taylor argued that past footage from his court appearances had focused heavily on his crotch. “Mr Kohberger is entitled to defend himself against capital criminal charges without cameras focused on his fly,” his attorney wrote. She added that the media had been warned back in June not to focus solely on Mr Kohberger during the court appearances – but that they had “failed” to comply. A group of media outlets have pushed back on the defence’s request motion, asking the judge to allow cameras to remain in the courtroom for his future hearings and the trial. In response, the group argued that no photographic or film coverage had focused on his fly – pointing out that an image included in the defence motion came from a social media post and not a media outlet’s coverage. “Although Mr Kohberger argues that he is ‘entitled to defend himself against capital charges without cameras focused on his fly,’ that assertion misstates the role that courtroom camera coverage played in the X social media post that appears at page 3 of his motion. No photographs or camera coverage focused on Mr. Kohberger’s ‘fly,’” it states. Prosecuting attorneys have also moved to restrict cameras. Latah County prosecuting attorney Bill Thompson asked the judge to remove cameras during the testimony of “a number of young and vulnerable witnesses,” including two surviving housemates of the four murdered students. The prosecution filed a motion stating that they were “concerned” that cameras “will have a substantial chilling effect on the ability of witnesses to openly, fully and candidly testify about some horrible occurrences.” But the families of the two murdered students have argued that cameras should be permitted in the courtroom to remove the “veil of secrecy” they feel surrounds the case. In a statement, the families said: “It is vitally important that this trial be open to the public to view and watch. “There is an enormous amount of media coverage about this case (some good, some bad) and with that comes the responsibility of the Court to ensure a fair trial. “The thing that is most overlooked in reviewing the motions filed by the State (who took no position in it’s original motion dated June 6, 2023-stating it relied on the discretion of the Court and now is taking a different position) and the Defense is faith in the justice system. “This case is surrounded by secrecy. Everything is either sealed or redacted. The family has not received any discovery on this case or any information about the facts of the case from the State.” The statement continued: “No one knows anything about the case which leads to speculation. That speculation is fueled by the secrecy surrounding everything that is filed and every hearing that is closed off to the media and the public. “Only through independent investigation has the Family been able to get some information. “So it is vitally important that the trial be viewed publicly! It is important to the victims family, relatives, community members and the public that this veil of secrecy be lifted at trial. “This not only ensures accountability for all the parties involved but also helps the public maintain it’s faith in the justice system!” they concluded. The judge will hear arguments on prohibiting cameras from being used during the public trial on 13 September. Mr Kohberger entered a not guilty plea and is asking the judge to throw out the case on the grounds of a biased grand jury, inadmissible evidence, lack of sufficient evidence, and prosecutorial misconduct by withholding exculpatory evidence. His trial had been due to start on 2 October but has now been delayed indefinitely after Mr Kohberger abruptly waived his right to a speedy trial last month. Mr Kohberger is a criminal justice PhD student at WSU. Read More Prosecutors join Bryan Kohberger’s effort to block cameras from Idaho murders trial Bryan Kohberger claims media are ‘focusing on his crotch’ as he demands court camera ban Bryan Kohberger – live: Idaho murders victims’ families react ahead of court hearing about cameras at trial

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Bill Richardson, a veteran Democratic politician and former US ambassador to the United Nations who later spent decades negotiating the release of Americans detained around the world, has died at...

Tracey Emin has opened up about “totally accepting death” when she was diagnosed with an aggressive form of bladder cancer in 2020. In June 2020, visual artist Emin was diagnosed with cancer, and subsequently underwent a series of major surgeries, including a full hysterectomy, as well as the removal of her urethra, bladder, lymph nodes, and part of her vagina and intestine. In April 2021, she shared that the cancer was “gone” after the surgery. In a new interview with The Times, Emin, 60, explained that upon her diagnosis, she was told that there was no guarantee the surgery would be successful in removing the cancer. At the time of her diagnosis, Emin said that she had feared being “dead by Christmas”. As a result, the Turner Prize nominee explained: “I totally accepted death – absolutely, totally.” “I think accepting death on such a profound level was what’s kept me alive,” she said. “I thought, you know what? Death looks after itself. We all die – now I’ll look after living. “I realised that my life has never really been living. I’ve been just dying. I’ve been so nihilistic. I thought, this is gonna change – if I get through this I want to look forward to things and I want to be present.” Emin, 60, now has a stoma (an opening on the abdomen connected to the urinary system allowing waste to be diverted out of the body) and uses a urostomy bag, which she will need to use for the rest of her life. On International Women’s Day in March, Emin penned a powerful personal essay in The Independent about her relationship with her body after surgery. Here, the artist admitted that she “hated” her bag, “but most days I’m philosophical; knowing that it keeps me alive”. She recalled: “One of my greatest golden moments was when my entire bag came off in Chanel on Bond Street: a tsunami of p*** cascading down my body crashing to the champagne-carpeted floor. Everyone was lovely and understood, Chanel even sent me a beautiful bouquet of flowers.” For the article published in The Independent, Emin created an exclusive acrylic on canvas artwork, titled “Marriage to Myself”. She also shared a candid photograph of herself standing in front of a full-length mirror with her white urostomy bag visible. While Emin works almost exclusively in the paint medium now, in June she unveiled three bronze doors that she secretly worked on for the re-opening of the National Portrait Gallery following a substantial £44m redevelopment. Etched in individual panels on the doors are 45 female faces, which Emin explained were inspired by facets of her “soul”. Emin said that her arrangement with the National Portrait Gallery was that she was not paid for the work (the gallery only paid the production fees), in exchange for total creative freedom. “It wasn’t a commission,” she explained. “I did it for free. I think the gallery wants to push the idea of portraiture in a different way. “There’s so many different ways to experience somebody’s, let’s say, soul. It doesn’t just have to be what they look like. It could be a portrait of the soul, for example. It could be lots of different things. So I think they wanted it to move away from the idea of classic portraiture. To stretch it.”

More than a year after the Supreme Court overturned the federal right to abortion, the issue has at times dominated the discussion among the Republicans seeking their party’s 2024 presidential nomination